Mcdonads Nature Valley Granola

Ferrarese painter of the fifteenth

In the fifteenth century Italian painters sought to express their inner world with a personal and original language ...., crearono così molte opere, diverse per tecnica e impostazione, tutte egualmente valide.

In questa pagina traccio alcuni passi della scuola ferrarese.

Madonna con Bambino - Bono da Ferrara

A Ferrara, culla di una scuola insigne, lavorano Piero della Francesca ed il Mantegna, e le due correnti si fondono tanto in un'accentuazione di valori cromatici, gemmei e profondi, quanto nella persistenza del plasticismo.
Le vecchie consuetudini sono contraddette con singolari prove d'indipendenza date non già da BONO DA FERRARA, austero squarcionesco, fiorito intorno al 1460, ma da tre grandi iniziatori.

Our Lady Roverella (Cosme Tura)

Cosme Tura (about 1430 - 1495), praised by Filaret in "forced" by John and Saints in the "Chronicle rhymed," Ferrara acute impressions matter Mantegna, who reworks with the restless spirit and the translucent glazes of color. His
countries seem to cut into the crystal, and the bony argue his clothes, metal), contracted with faces often have a consistent aesthetic and moral suffering that the rough and winding individuality of the teacher subsides in notable works such as the fantastic and detected " Allegory (London, National Gallery), as the classic paddle Museum in Berlin and as the inlaid "Annunciation" (Ferrara, Duomo).

San Giovanni Battista (1473) - Francesco Del Cossa
Coffee Central Polittico Griffons, London, National Gallery

Francesco del Cossa (1436-1478) studied at home jobs Piero della Francesca, and the resulting a1caratteri morphological plasticity that grafted Mantegna. The beautiful color
Ferrara is found in the solemn "St. Jerome" (Ferrara, Pinacoteca) and vigorous frescoes (predella of the Pinacoteca Vaticana), to resume monumental volumes of chromaticism in the dryness of the Madonna between Sts And John Petronio (Bologna, Pinacoteca).

Magdalene weeping - Ercole de 'Roberti
fragment of the frescoes of the chapel Garganelli
Bologna, Pinacoteca Nazionale

Ercole de' RORERTI (1450-1496), the most elegant and measured by Cosmo and Cossa, refines the long oval heads, thin hands and refine the current sensitivity of Giovanni Bellini.
A masterpiece is the altarpiece for the new Brera and the composition for the throne octagon above the base of bas-reliefs - from precious stones - and opens a beautiful marina.
Humanity Hercules has some rincrudimento, for example, when stripped "San Giovanni" of the Berlin Museum, but the beautiful lyricism overcomes all resistance in the "Madonna Enthroned between Saints George and John the Baptist (London, National Gallery), and models with spiritual perspicuity and subjective feeling the "Deposition" (Bologna, Pinacoteca), perhaps finished by Sebastiano Filippi.


SEE ALSO. . .

Bolognese painting of the fifteenth century - Francesco Francia

COSTA LORENZO - The Life and Work

COSME 'TURE - The Life and Work

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