Can Shaving Make Herpes Come

Vallanzasca - The Angels of Evil

Vallanzasca

Regia: Michele Placido

Con: Kim Rossi Stuar t,  Valeria Solarino, 

Filippo Timi

Quanto ci piace il crime ! C i piace così tanto che ne seguiamo la scia di sangue fino in parlamento (sangue mestruale, probabilmente, ma pure sempre sangue). "Pane, Politica e Fantasia" sarebbe un titolo azzeccato per lanciare un nuovo neoreoalismo that takes to heart the story Mrs average to grips with the struggle to preserve "the place" (in chair) and the bread and butter stuff of scandal, denial, ranting videoletters. In this purries put everything and anything, whose only purpose seems to approve the exception, multiply the blame to feed the corrupt, it almost feels the lack of the old Italian crime.

That "pasta e ceci" the band of the hole Monicelli, the one with the zeppole of cylinders, and finally, the epic and brutally tragic R omanzo Criminal, where, from film to television, showed scene thread that linked the village with the palace. Michele Placido back to face questo hot spot con Vallanzasca: il Romanzo Criminale alla milanese. Accolto bene al festival di Venezia, la storia di Renato Vallanzasca è quella che Barthes chiamerebbe "un mito d'oggi". Il mito del cattivo "umano troppo umano", del fashion villain, del mostro umanizzato. I l rischio, come sempre, è quello di giustificare gli orrori della guerra (in questo caso, guerra contro la polizia) attraverso un ritratto personale e intimistico del soggetto criminale. Il rischio c'è, ma in Italia è stato abbondantemente "aggirato" con la politica del "ma anche".

In queste settimane di "Rubygate", stiamo seeing how you can be "legally innocent" - but - "morally guilty". Crisis, crisis in greek means "choice." The current crisis is a crisis of choice, because we choose to contribute to that formula to "zero sum" which is pitting the good from the bad, the moral immorality, from the illegal legal. We should, and Vallanzasca speaks at length, set aside the presumption of believing super partes, to accept the anti-dysneiano attitude that the villain, the dark side "a little bit more pronounced the others" (citing the beat of Kim Rossi S tuart) we like. We like to, but not us we have to overcome, not so we have to justify those exploiting our weakness for propaganda and, much more serious, to absolve themselves from their resposabilità the entire community. Renato Vallanzasca killed and is paying for his crimes (and for those of others of his band). O ra, Fabrizio Corona is his alter-ego parchment: a villain villain who worked to deliver the mainstream a slick dark side to waste ink and cathode afternoons. But the shadow can not live this way, is not something to be shown, and when you do this, it vanishes (at least in the eyes of those who are not idorcefalo). Vallanzasca for this is realistic, and not apologetic. Conclusion

for all bboy: andate a vedervi Vallanzasca.