NBC, USA - 2011
So you were not tired of all these superheroes? From the classic Batman, Superman, Spiderman and the dream factory we bombed with the various Daredevil, The Spirit and finally Megamind! Well what it seems even the recent invasion of zombies and vampires have slowed the rise of superhero dramas. Everyone seems stoned sugar and Coke jubilation "We want heroes!" (Not the TV series nor the eponymous group of bboy Ostia). Toc Toc! The first zombie you ate the neocortex? The stuff heroes are gone, or rather, nell'accezione culinary term, re-passed in the pan. Heroes, Misfits , No Ordinary Family who are unaccounted for? The TV is awash with super powers so much that I should not wonder in a new mariafilippata called "Superman & Superwoman - subtitle - if God did not esisistesse, Nietzsche would turn in his grave."
Anyway here you The Cape , freshly baked from the tombs NBC. It 's the story of guy who bla bla bla becomes a superhero to defeat the bad guys. Fine. Let us be clear: if we follow the superheroes for the originality of the plot, well ... I just say only one name: Adam West . I know, I know some of you have already exclaimed: "But to me Spiderman learned me a lot of things, like that great powers derive great responsabbilità. Me too, and that's why I started writing this blog after being bitten by a radioactive boar. Superheroes (contemporary version of the epic heroes) as I said in mio articolo su Romanzo Criminale 2 , svolgono un ruolo fondamentale per il nostro immaginario, nonostante non siano un esempio di vita. Nessuno (spero) si vestirà da uomo-pantegana per imbrutture qualche brutto ceffo di Tor Bella, nè si fingerà morto per intraprendere in incognito una guerra contro il super-cattivo di turno (nel nostro caso, Ignazio La Russa). L'eroe è il pane su cui farcire il nostro immaginario: può essere duro, sofisticato, decaffeinato o semplicemente gustoso. Non ci incarniamo in lui, ci nutriamo di lui e come ogni buon panino che si rispetti, quando è terminato, ci sentiamo sazi e "bella così".
The Cape Metropolitan is a hero, no super powers, but quite similar to Mephisto Spawn, the comic book hero created by Todd McFarlane in 1992. In the list of super-cousins \u200b\u200bcan add The Hood, neo-house Marvel supervillain, the old fantaillusionista Mysterio and seeds unknown Cloak of which have nothing to comment on. Everyone thought he was dead (and symbolically it is) why should icarnarsi into something else, superhuman entity and identity hidden. Is called the superego in psychoanalysis. Vince Faraday (the name of the protagonist of the series) becomes The Cape, the comic I loved to read together with his son before going to bed. The father dies and only then becomes the hero of the child as to who becomes a superhero Spawn not just lose it all (a cliché in almost all superhero stories).
The special feature of The Cape is to get his family alive, Victor is forced to pretend to be dead (it is not allowed, a vice versa). Formally well-designed and full of fact, the first episodes of the series is a carnival for the eyes and a funeral for half the story (sautéed too quickly). In short: the first taste we like. Be careful not to indigestion but ...
Boys Saturday and Sunday are on the scene in the musical The Butterfly Lily (the one you posted on the Roman meters) Role: squirrel! Do not miss ... (sigh!)
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