you expect from a mega-trailer assembly and the crackling music impertinent: but no. This is just (and especially) bboy Nexus taken raw and torn to pieces. Warning: this is not reality, and as you can read at the end of the clip if you want to see more: go to see the circle. " But even in that case, one of the circles, you will see the real Nexus. The real, or rather the sublime, a moment occurs nell'affiorare. Yet this time on (the video clip above), as Deleuze would say, is both an absolute whole (all me revenue) because it is not a photo, a piece of static image, but a matter-flow, a ' movement-image. "Nexus Ah, do not understand I've got a damn" - you say. I know, things are complicated. Again following the example of Deleuze, I just think every scene in the video represents a single wing-beat that makes up the flight of actions and movements that go to make my style of dancing. Why Breaking, like cinema, moving-image works for : the "step" of footwork like the frames of the film, go to compose an organic whole made up of "non-privileged moments", which added (and not juxtaposed) create what is called an open set, open the. One Poe's why he always says: "Perform the movement as if every moment you were to take a picture" - and of course, each photo should be "beautiful to watch." The freestyle, improvisation-programmed feature of b-boying, will always have a value more than the pattern (discrete, privileged, pre-organized world) steps in succession. In freestyle manifests the sublime dance, what a romance would call the "flash of genius" or what Daniel Goleman calls "flow": a state of mind where the technique is sublimated into the body giving the subject an breve, creativa e decisamente emozionante. Vabbè: godetevi il video.
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