Thursday, June 24, 2010

Safe To No Bulb Socket




Out of all: a few minutes the Italian national team will be out of the world. In the first round, without ever having even won a game. Without even ever having entered into the game. Great metaphor for our times.

I'm not a fan of football, but every four years is taken as the growth of each virus's genetic Italian, and I look at the world championships as though I were a true fan. Only Italy's matches, though. And I thought I had a 'aplomb' a bit more British ... the first two games I've seen with detached interest, this, I lived as a real ordeal. For me, getting to walk back and forth nervously, his eyes fixed on the screen, muttering incomprehensibly without even realizing it, is something out of this world: but that's what has happened recently, and still feel the adrenaline flowing and makes me shake my legs.

The second goal of Slovakia, I turned off the TV.

I could not more ... would not be nice to get a heart attack for a football game. But the bar downstairs, down the road, is an echo of the monitor, even when off, and the indistinct voices that I arrive having completed the commentary as I write. Two to one, and we're out. As someone said, this is done.

Gradually the city noises resume their normal pace, following the suspension of these absurd ninety minutes, the traffic noise saves space on the deafening silence that dominated the streets, but gracefully, almost unnoticed, with a sense of alienation from hangovers, opening his eyes to a dazzling reality, with awe, almost with pain, waking from a dream.

bitter awakening, this afternoon that the light fails to illuminate: auks nightmare is over in the last dream, and there's nothing else to dream.

Perhaps, now, will be the case to think about rebuilding.

Monday, June 7, 2010

Men's Room Gay Cruise



TO THE ROOTS OF HEADING
upcoming seminars on the spoken voice and sung
18 - 19 - June 20, 2010 Milan
4 -5 -6 September 2010 S. Vigilio (Alto Adige)
Info: 328.96.17.482 Beatrice


It's like the tree: the rise of its branches, must be
equally deep roots.
And the sense of the tree is neither in roots nor in the upper crown, but
life flowing between the two.

How

can get to the root of his own voice,
listen and let it flow through the body, releasing the feelings of the moment?
What are the parts of our body that are under the most stress when we use the voice, breaking the energy?
How 'can dissolve them, feeling the breath and the body as support , rather than as an obstacle?
How can "stamp" the moment with his voice, like a footprint in the sand?

Breath. Body. Voice.

Through a process of training on the breath and body, dissolving the tensions and body caused by emotional stress and bad habits, go down deep into his throat. Rebalance the body starting from the soles of the feet.
explore our body as it expands speaker sounds, learning to take advantage of the muscle structure of each community to provide space, volume and texture to natural sound.
Through vocal and instrumental improvisation, rhythmic exercises and individual choir, play the voice and the many sounds that your instrument can produce.
The anatomical notes on our vocal instrument ( machinery, phonatory, resonator) will help us to understand meglio i suoi meccanismi (muscoli della laringe, corde vocali vere e false , palato molle, ancoraggio dei muscoli dorsali, addominali profondi per il sostegno del diaframma)
Lo studio fisiologico e acustico delle sei qualità Voice Craft (speech, falsetto, pianto, twang, opera, belting) ci indicherà quali artifici ognuno di noi ha creato, andando a falsare la propria voce. Ne cercheremo i motivi (il luogo in cui siamo nati, cresciuti, le influenze famigliari, i traumi,
le esperienze vissute), andando a lavorare con estrema delicatezza, per esplorare la relazione profonda esistente tra canto ed emotività.

Un cammino per riscoprire la voce parlata e avventurarsi
verso le radici della voce cantata.
Per lasciarla fluire, attraverso il corpo, sul respiro.


TOT 15 ore
ORARIO: venerdi dalle 20 alle 23.00/sabato e domenica dalle 10.00 alle 17.00 (con un’ora di pausa)
PARTECIPANTI: massimo 15
REQUISITI RICHIESTI: il seminario è aperto a tutti coloro che abbiano almeno un anno di esperienza sul lavoro con la voce o un buon ascolto e tanta voglia di sperimentare.
MATERIALE: Sono richiesti abiti comodi, una coperta, la preparazione a memoria di una canzone a cappella (without, in their native language) and the same text written on a sheet.
COST: € 130
LOCATION: Laboratory OpenArt - Sesto Via Fiume 37 - CIT 43 red metro station Sesto Marelli
REGISTRATION AND FEE PAYMENT : no later than Friday 11 June payment on the premises the seminar or by bank transfer
..... ARCHIVE
SEMINARS:
- 2009 "Towards the roots of the item" c / o School of Theatre Camp Theatre
- 2008 "Towards the roots of the item" c / o the laboratory OpenArt
Milan - 2007 "The truth 'in" conducted with director Carmen Piga c / o Theatre Guanella Milan
- 2005 "Move the" c / 0 Rifugio Guido Muzio Park Gran Paradiso Aosta
- 2004 "Move the" Lapalorcia conducted with Joseph c / o 'Color Association of Milan

Thursday, June 3, 2010

Can You Put Cream On Your Eyelid

News

individual Rebirthing Session
FREE!

Only for the month of July,
for those who want to experiment
this fantastic tool of introspection
and emotional processing:
individual Rebirthing Session
free!

Participation in the session is free and without constraints
but may be preparatory for those who wish to participate
to cycle of 10 sessions or the path of personal growth
and emotional rebirth in 10 nights that start in October 2010 .

Per info 3472310185